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BELMAS Christian

Artrinet work analysis of BELMAS Christian


            

Classification : A470-B250
(You can click on each code separatly
to locate it in the general classification grid.)

BELMAS Christian
BELMAS Christian
www.christian-belmas.com

The classification provides four or more codes placed on four axis (A - formalism, B - matériality, C - involvement body/mind, D - communication). These codes are positionning the artist in the art history.


A axis : FORMALISM
When looking at the work, what type of formalisation first strikes the eye? Is it more abstract or more figurative, etc ? (on a scale from more "immaterial" to more "realist").
A470 : Forms of "Realism"
Differents ways of observing the realities of the world, from a point of view of: the solely Formal
between the "Neue sachlichkeit", "American scene" or "Nouvelle figuration", Reality as perceived by an artist whose subjectivity remains in abeyance (Christian Schad, Gérard Schlosser, Vincent Corpet, Gilles Aillaud, ...).


B axis : MATERIALITY
How does the materiality of what is shown come across?
(on a scale from more "immaterial" to more "real").
B250 : tautology
any object, or material, etc ... taken and presented alone and as such. reworked objects
in particular sculptors in wood, stone, etc. But also all objets trouvés, recycled and re-worked objects (in particular with Art Brut).

BELMAS Christian
www.christian-belmas.com