PEZAIRE Catherine

PEZAIRE Catherine

Artrinet work analysis of PEZAIRE Catherine

Classification : A260-A400-B250-B230-C150-C160
(You can click on each code separatly
to locate it in the general classification grid.)

PEZAIRE Catherine
www.pezaire-sculptures.com

The classification provides four or more codes placed on four axis (A - formalism, B - matériality, C - involvement body/mind, D - communication). These codes are positionning the artist in the art history.

A axis : FORMALISM
When looking at the work, what type of formalisation first strikes the eye? Is it more abstract or more figurative, etc ? (on a scale from more "immaterial" to more "realist").

A260 : Allusive almost figurative
beginning with shapes, matter or gestures, fairly obvious representations of figures (Dubuffet, Fautrier, Bacon, ...)

A400 : Individualist Art (Art Singulier) Art brut
from art without cultural references (Dubuffet, Adolf Wölfli, …) to turning cast-off objects into art (Chomo, Maisonneuve, ...).

B axis : MATERIALITY
How does the materiality of what is shown come across?
(on a scale from more "immaterial" to more "real").

B250 : tautology
any object, or material, etc ... taken and presented alone and as such. reworked objects
in particular sculptors in wood, stone, etc. But also all objets trouvés, recycled and re-worked objects (in particular with Art Brut).

B230 : Materiality
in painting, but also with all other materials with the following possibilities: Structured structured combinations
any combinations of lines, colours, matter or volumes of a more structured type (Michail Heizer, Anish Kapoor, Miguel Barceló, ...).

C axis : INVOLVEMENT BODY/ MIND
With what body:mind ratio does the artist enter into his work?
Classify from the most "intellectual" (e.g."Concept Art"...) to the most "physical" (e.g. "Body Art", ...).

C150 : between
Where the material and corporal necessities of existence confront the multiple questions about its "essence" (from Munch's "Scream" to the Installations of Thomas Hirschhorn, from Karrel Appel's "Scream" to Francis Bacon, ...).

C160 : tending towards the corporeal / the senses via expression with "humanity" (the passage from Life to Death)
- in a literal manner (John de Andrea, Duane Hanson, Itsvan Sandorfi, ...)
- or a symbolic manner (James Ensor, G. Rouault, F. Gruber, Zoran Music, Rebeca Stevenson, Jan Vercruysse, ...), ...

PEZAIRE Catherine
www.pezaire-sculptures.com